Exhibits

Ashes to Ashes

Exploration of impossible instruments, 2013
Gordon Delap (IE)

Bio

Baloica Interactive musical swings, 2013
Elas Duas (PT)

Bio

Chit-chat Interactive sound installation, 2017
Nicholas Brown (GB)

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ClusterChord Multi-player electro-acoustic rhythmic zither, 2017
Ed Devane (IE)

Bio

Computer-Enhanced Footwear DEMAKING The High Heeled Shoe: The liberation of the feet for theatrical audio visual expression, 2007-2017
Alexandra Murray-Leslie (AU)

Bio

Giant Music Box interactive, large mechanical music box, 1992
Brenda Hutchinson (US)

Bio

Mi.mu gloves Musical gloves for performance and composition, 2011
Mi.mu (GB)

Bio

Moog Sound Lab UK Self-contained portable analogue synthesiser studio, 2014
Moog Music Inc. (US)

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Mogees — Play the World Transform anything into a musical instrument, 2017
Conor Barry & Mogees (IE & GB)

Bio

The NESS Project Physical Modelling Synthesis, 2012
Stefan Bilbao (CA)

Bio

Ore-some Machine Uranium-controlled mechanical xylophone, 2017
David Cranmer (UK)

Bio

Polyphony Experience the world via amplified sound, 2013
Studio Weave (GB)

Bio

press play to play Interactive analog sampling with cassettes, 2016
Alexander Roidl and Dominik Meixner (DE)

Bio

Sonic Playground Miniature electronic orchestra for all, 2012
Iain McCurdy (IE)

Bio

Springthing and Spring Kalimba Electric spring instruments, 2015 and 2016
Gavin Prior (IE)

Bio

Star Struck Star shaped bass guitar pinball hybrid, 2017
Lucas Abela (AU)

Bio

String Pull Pull strings, move hands, make music, 2017
Enda Bates (IE)

Bio

Synth Bike A synth on a bike, 2017
Sam Battle (GB)

Bio

Theremin Tapestry Interactive self-made musical instrument for collaborative musical expression, 2009
Chicks on Speed (Melissa Logan, Alexandra Murray-Leslie) with lead weaver Sara Lindsay and the Australian Tapestry Workshop (AU & US)

Bio

Touchology Interactive white noise machine, 2016
Carolyn Tam, Elena Falomo, Joe Muller, and Yang Gao (UK)

Bio

Ya slip ta bang Sonic bike work made for Dublin, 2017
Kaffe Matthews and the Bicrophonic Research Institute (BRI) with text by Mia Gallagher (GB & IE)

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